Dye & Titanium powder and/or gesso on Silk from the Sixties 
sizes 53x74 & 74x100 cm

Engl.
"The essence of the great way is to act purposefully without striving. Because of nonstriving, one does not cling to local conventions, forms, or images; but because of not striving yet acting purposefully, one does not fall into indifferent emptiness, dead voidness."
The Secret of the Golden Flower - Lou Yan - China, XVIII cent.

fr.
"L’essence de la grande Voie est d’agir avec détermination mais sans effort. L’absence d’effort permet de ne pas s’attacher aux conventions, aux formes ni aux images en usage là où l’on se trouve et, comme ce non-effort s’accompagne d’actes délibérés, on évite de tomber dans le vide indifférent, la vacuité morte."
Le Secret de la Fleur d’Or – Lou Yan – Chine, XVIIIeme siècle
It – 2016
It – 2016
It – 2016
Alien Art Centre Kaohsiung Taiwan 2022
It – 2016
gesso shellac & blue dye on canvas
gesso shellac & blue dye on canvas
gesso, shellac, red & blue dye on canvas
titanium powder – blue tint powder – water on 60s silk on frame 74 x 102 cm
titanium powder & water on free 60s silk 90 x 118 cm
It (same as the one before)
titanium powder & water on 60s silk 74 x 102 cm /2014
(detail) – 2014
06 – Void – Brussels 2017 – 17 3/4×24 in.
Origine – Paris 1939 – Bruxelles 2014 – 56 x 38 cm
J.C. nails – Bruxelles 2016 AD
a post card as a Rothko – Bruxelles 2015 – 11×16 cm
H. Memento Mori I – Bruxelles 2014 – 36x29x6 cm
mausolée- Bruxelles 2015 – 29x22x14cm
dead fly, broken japanese cup & Feminine Beauty by Kenneth Clark
origine du monde – Paris 1879 – Bruxelles 2015 – 49×42 cm